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To die, to sleep; To sleep: He pondered the prospect. To sleep — as simple as that. And with that sleep we end the heartaches and the thousand natural miseries that human beings have to endure. Yes, that was the problem, because in that sleep of death the dreams we might have when we have shed this mortal body must make us pause.
So thinking about it makes cowards of us all, and it follows that the first impulse to end our life is obscured by reflecting on it. Let us know in the comments below.
There is a direct opposition — to be, or not to be. Hamlet is thinking about life and death and pondering a state of being versus a state of not being — being alive and being dead.
The balance continues with a consideration of the way one deals with life and death. Life is a lack of power: Death is therefore empowering: Living is a passive state; dying is an active state. But in order to reach the condition of death one has to take action in life — charge fully armed against Fortune — so the whole proposition is circular and hopeless because one does not really have the power of action in life.
With that thought Hamlet stops to reconsider. What will happen when we have discarded all the hustle and bustle of life? The problem with the proposition is that life after death is unknown and could be worse than life. And now Hamlet reflects on a final end.
Who would bear that when he could just draw a line under life with something as simple as a knitting needle — a bodkin? And how easy that seems. Hamlet now lets his imagination wander on the subject of the voyages of discovery and the exploratory expeditions.
Dying is like crossing the border between known and unknown geography. One is likely to be lost in that unmapped place, from which one would never return. The implication is that there may be unimagined horrors in that land.
Hamlet now seems to make a decision. So with that added dimension the fear of the unknown after death is intensified. But there is more to it than that. Throughout the action of the play he makes excuses for not killing him and turns away when he has the chance.
At the end of the soliloquy he pulls himself out of this reflective mode by deciding that too much thinking about it is the thing that will prevent the action he has to rise to.
This is not entirely a moment of possible suicide. In this soliloquy life is burdensome and devoid of power. In this soliloquy Hamlet gives a list of all the things that annoy him about life:This quotation, Hamlet’s first important soliloquy, occurs in Act I, scene ii (–).Hamlet speaks these lines after enduring the unpleasant scene at Claudius and Gertrude’s court, then being asked by his mother and stepfather not to return to his studies at Wittenberg but to remain in Denmark, presumably against his wishes.
Hamlet Quotes and Analysis Buy Study Guide O, that this too too solid flesh would melt, / Thaw, and resolve itself into a dew, / Or that the Everlasting had not fixed / His canon 'gainst self-slaughter. As quoted by Hamlet in the play by William Shakespeare, "To be or not to be, that is the question"(Fetzer ).
When on the subject of President Clinton, some would rather he "not be" than "to be". Some look down upon him because of recent accusations against h. Hamlet actually tells other characters that there is more to him than meets the eye—notably, his mother, and Rosencrantz and Guildenstern—but his fascination involves much more than this.
When he speaks, he sounds as if there’s something important he’s not saying, maybe something even he is not aware of. William Shakespeare — ‘To be, or not to be: that is the question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortune. Hamlet's Soliloquy: To be, or not to be: that is the question () Commentary Unlike Hamlet's first two major soliloquies, his third and most famous speech seems .